Relative to Farhadi's other films, a straightforward story of a couple facing a rape-like incident. Amazing acting and as usual, moving screenplay serving to the storytelling.
Bolstered by Shahab Hosseini's empathetic performance and Asghar Farhadi's smart screenplay, The Salesman is a rewarding tale about everyday people seeking vengeance.
The Salesman [Farhadi, 2016] Farhadi always has his way of shaking your soul, giving his audience a silent yet thrilling ride.
An amazing movie with all the suspensions we know from Farhadi in more dramatic ways.
Another substantial film from Ashgar Farhadi, that examples how (more than any other contemporary director) he's so effortlessly able to apply the Hitchcockian to the slice-of-life.
The story was fascinating and thought-provoking, but started to drag about midway, and it became overly/needlessly complicated. Other people leaving the theatre felt the same. Just Eh. I can't recommend it.
A medieval morality play in the skin of contemporary hyper-realism.
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This year’s best American soap-opera was made in Iran, by Asghar Farhadi, It’s called The Salesman. It was nominated for an Oscar in the Best Foreign Language Film category, but in it really should be also in the Best Writing or the Best Directing category. Soap operas are the hardest genre, as there are hundreds […]